The armchairs of the iperbolica collection are aesthetic figures that produces effect capable of goig beyond ordinary perceptions and current opinions of form. They are excessive, extravagant, dilated: in short, hyperbolic. They go beyond the confines of the engineered construction of the object and experimentation on the material. These armchairs are not merely roomy, comfortable seats with backrests and arms, but also an attempt to seek a precise identity within a dialectic relationship between material and form, image and object, function and decoration.
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