The Design Magazine

Larissa Sanches

Armchair

Sunday, 13 September 2026

Alvorada

Inspired by the quiet transition of dawn, the Alvorada Armchair reflects moments of pause, renewal and introspection. Its enveloping laminated wood shells evoke distant mountains on the horizon, while the integrated upholstery and matching ottoman create a supportive and tactile seating experience that encourages relaxation and mental restoration. By combining organic references with ergonomic precision, the armchair offers a sense of comfort and balance, reinforcing the home as a place of refuge, presence and well being.

Isabelle De Mari

Jewelry Cabinet

Saturday, 12 September 2026

Takumi

Takumi is a jewelry cabinet that combines Japanese craft principles with contemporary furniture construction. The cabinet has fifteen drawers with chamfered edges and a concealed sliding system that works without lateral panels, creating a floating drawer effect. The interior is lined with natural leather and fitted with removable suede dividers for flexible organization. The brass handle is cast by the lost-wax method using reclaimed offcuts. The design turns the storage of personal jewelry into a calm and attentive routine.

Isabelle De Mari

Lounge Chair

Friday, 11 September 2026

Tokyo

Tokyo is a lounge chair made of solid Brazilian sucupira hardwood. The frame is fully exposed, showing the joinery and the shaped wooden parts. The arms and back supports are turned on a lathe under manual control, with concave detailing at the ends. A natural leather inlay is recessed into each armrest and finished with stitching. The seat and back cushions combine layered polyurethane foam and feather filling, upholstered in brown linen. Surfaces are hand sanded and finished with a matte varnish. The design applies Japanese woodworking principles to a Brazilian material.

Sangin Park

Chair

Thursday, 10 September 2026

Soo no.2

Soo No. 2 is a wooden chair designed for everyday seating. In most chairs the rear legs continue upward to support the backrest. In Soo No. 2 the rear legs and the backrest supports are separated into independent elements. The separation improves structural stability and creates a clear visual balance. The legs are cylindrical and the seat is woven with Danish cord. All structural joints use mortise and tenon joinery, and through joints form small diamond-shaped details along the sides of the frame. The armrests and backrest supports are fixed with discreet brass pins.

Mohammad Meyzari

Sculptural Lighting

Wednesday, 9 September 2026

No. 27

No. 27 is a sculptural candle created for ambient lighting in modern interiors. The undulating base is cast from engineered concrete and takes its form from a volcano. Transparent heat-resistant glass tubes of varying heights are set into the concrete base and serve as refillable liquid fuel reservoirs. Metal is used only for the wick holders, which limit heat transfer and support safe, continuous flames. The refillable fuel system removes wax waste. The piece measures 56 cm in length, 32 cm in width and 31 cm in height.

Isabelle De Mari

Residential Writing Desk

Tuesday, 8 September 2026

Ebisu

Ebisu is a residential writing desk designed to integrate work into domestic environments. The restrained proportions and balanced geometry allow the desk to engage with the living space rather than dominate it. A leather writing surface is flush mounted into the top, forming a continuous work plane. The structure is made of CNC machined MDF clad in natural pau ferro veneer and finished with matte acrylic varnish. Aged brass is used on edges, internal drawer dividers and a custom power box. Wiring is concealed through the legs to preserve formal clarity.

The Design Magazine

Alvorada

Takumi

Tokyo

Soo no.2

No. 27

Ebisu

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Alvorada

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Tokyo

Soo no.2

No. 27

Ebisu

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