The Design Magazine

The Design Magazine

The Design Magazine featuring great design, architecture, fashion, graphics and innovation from across the globe.

 

Luar

The Luar armchair is the result of a transformation into a piece of furniture of the iconographic stone sidewalk patterns of Copacabana Beach in Rio de Janeiro, the designers' hometown. The armchair presents a composition of contrasts: Wood, with all its slenderness and transparency, contrasts with upholstered elements that are robust, soft and comfortable. Its shape comes from a technique that the companies Lattoog and Schuster have researched over ten years. Pressed wood micro laminates that allow seamless, curvilinear, and highly resistant structures, with optimal use of the material.

Continue reading

 

Cenear

The Cenear Bench draws inspiration from the graceful curves and rich heritage of tea gardens, seamlessly merging contemporary Chinese furniture elements with an homage to historical culture. Crafted to encourage open communication, it boasts a soft cushion seat affixed to a wooden frame, accompanied by two differently colored shaped cushions for adaptable comfort. The bench caters to the modern user's penchant for personalized seating configurations, featuring curved sections and supportive backrests that encourage relaxed and engaging conversations.

Continue reading

 

Hone

Hone shelf is a timeless and magnetic design inspired by natural forms, and arises as a reinterpretation of a traditional shelf through a conceptual alteration of the physical properties of the material. In this way, the solid wood becomes elastic in a conceptual way. By doing so, the vertical supports stretch outwards isolating the horizontal planes, giving movement to the whole piece and promoting load transmission. The aim is to highlight the organic essence of the piece, its living personality and to contrast the strength of its mass with the lightness and subtle contact with the ground.

Continue reading

 

Niemeyer II

Designed by Joana Santos Barbosa, the rounded forms of the Niemeyer II armchair are influenced by the modernist House of Canoas of Oscar Niemeyer. Having a refined design with architectural details, this armchair is minimal and yet a statement piece. The upholstery work is meticulous, with seams reduced to essential, in order to reproduce the backward movement of flat roof when seen from an aerial view. Upholstered in a special woven bouclé, this welcoming armchair receives people with a gentle embrace and feels the most comfortable place in the room.

Continue reading

 

Push Collection

In the genesis of this project there is certainly a strong minimalist influence together with an attempt to support a conscious environment-friendly way of living. The armchair design has been reduced to a minimum in order to lay bare the essence of the elements. The materials chosen are aluminium for the frame (100 percent recyclable) and PET (obtained from plastic bottles) for the upholstery. Its purpose rests not in aesthetic intricacy, but usability and sustainability.

Continue reading

 

Object

Many of Covid-19's temporary splash-proof partitions are cheaply designed. So Akira Nakagomi designed a splash-proof partition to add color to life, rather than a cheap temporary one. It is a simple configuration of a circular acrylic supported by a bent brass rod, and the rod is fixed with a brass cylinder. Another set can also be connected and fixed around the brass weight. The Object is a product like an art piece that emphasizes both aesthetics and function. The Object is also sustainable in that it can be displayed as an art piece rather than being unnecessary after the Covid-19.

Continue reading